Jenny Holzer’s work was projected onto the Guggenheim Museum on Manhattan’s Upper East Side. Faro’s was painted on a non-descript wall in Chelsea, another neighborhood in New York City. What is the relevance of location in each of these cases? How does it impact the the way you understand each work?
The embellishment of the sacred word is important in many religions, particularly in Judaism and Islam, where figurative arts have traditionally been prohibited. Why do you think that the decoration of words might be acceptable when figurative imagery is not?