Berlioz’s Symphonie fantastique , Brahms’ Symphony No. 1 , and Shostakovich’s Symphony No. 5 . For each example what were their specific musical

Berlioz’s Symphonie fantastique, Brahms’ Symphony No. 1, and Shostakovich’s Symphony No. 5. For each example what were their specific musical priorities? How did these musical choices reflect the cultural circumstances in which the composers lived and worked? What specific agents and ideologies played a part in legitimizing these symphonies?

 

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