1 a. How can architecture be considered a visual “language” that uses iconic, indexical, or symbolic signs?
b. How can this affect a design’s meaning, or its success?
2. a. Explain Venturi’s criticisms of modern architecture.
b. Describe his views about what good design is like and how architects can learn it.
3. a. How does “double-coded” design help architecture communicate to a complex public”?
b. What difficulties and potential problems does it pose?